以斧为例的设计文化原理初探  

Research on the Design Culture Principle With Axe as an Example

作　　者：李翔[1] 曹珺怡 Li Xiang;Cao Junyi(Wuhan University of Technology,Wuhan 430070,China)

机构地区：[1]武汉理工大学,武汉430070

出　　处：《艺术与设计（理论版）》2020年第11期29-31,共3页Art and Design

摘　　要：文章旨在揭示文化原理在设计中的内在、一般、抽象规律。由于旧石器时代是以使用打制石器为标志的人类文化发展阶段,因此通过案例研究、比较研究的方法,选取斧子这一国内外文化和古今文化条件下的相同设计成果进行对比,结合理论知识,从科学文化、宗教文化和艺术文化三个层面分析设计文化关系,了解文化原理与设计之间的相互影响作用。由分析可知,设计与文化是在相同条件下诞生,与文化在政治、经济、历史的条件下相互影响,并在不同地域和时代呈现不同的发展趋势。Objective: to reveal the internal, general and abstract laws of cultural principles in design. Methods: since the pateolithic is a stage of human cultural development marked by the use of stone tools, through case studies and comparative studies, the axe, the same design achievement in the domestic and foreign cultures and in the ancient and modern cultures, was selected for comparison. Based on theoretical knowledge, the relationship between design culture was analyzed from three aspects of scientific culture, religious culture and art culture. Results: understand the interaction between cultural principles and design. Conclusion: design and culture are born under the same conditions, and interact with each other under the conditions of politics, economy and history, and present different development trends in different regions and times.

关 键 词：设计文化原理 斧子 科学 宗教 艺术 

分 类 号：J0[艺术—艺术理论]