《邪不压正》,姜文的北京城市设计意象  

Jiang Wen's Image of Beijing Urban Design from HIDDEN MAN

作　　者：张亚津 ZHANG Yajin

机构地区：[1]德国ISA意厦国际设计集团 [2]北京交通大学 [3]德国斯图加特大学 [4]清华大学

出　　处：《住区》2020年第6期80-92,共13页Design Community

摘　　要：一个完整的城市设计兼具空间特性,与社会特性两个层面。就城市意象而言,它还具有观察者强烈的个人烙印。邪不压正这部电影,代表了姜文的北京意象,也承载了北京在民国时期——一个新与旧的交会点,其城市设计结构中一系列深具个性与代表性的断面、界面、空间序列,天际线与气质形象。不仅仅是紫禁城,北京作为一个整体,得以展现。这是以城市意象这一植根于西方心理学与行为学的实验,对于一个传统中国经典城市的一次检验,它同时也完整展现出了北京旧城的独特魅力——在中国历史背景,城市文化一直位于相对匿名的状态。urban design involves both spatial characteristics and social characteristics.The image of the city bears the strong personal mark of the observer.The movie"Hidden Man"represents Jiang Wen's image of Beijing during the late period of the Qing and the Republic of China and a series of its representative urban design elements,sections,boundaries,spatial sequence,skyline and atmosphere.Not only the Forbidden City,but also Beijing as a whole is displayed.This is a test of city image-a western experimental method rooted in psychology and behavioral science,on a typical traditional Chinese city.It also comprehensively demonstrates the unique charm of the relatively anonymous urban culture in Chinese history.

关 键 词：近代中国城市 城市意象 城市设计 街道空间 空间序列 界面 原型 

分 类 号：TU984[建筑科学—城市规划与设计]