理论主导下英语诗歌的现代转型  

Modern English Poetry:Innovation through Theory

作　　者：黎志敏[1,2] Li Zhimin(School of Foreign Studies,Guangzhou University,Guangzhou 510006,China;Guangdong Society of Foreign Literature)

机构地区：[1]广州大学 [2]广东省外国文学学会

出　　处：《外国语文研究》2020年第5期27-34,共8页Foreign Language and Literature Research

基　　金：国家社科基金项目“‘自由’的法则——英美现代诗歌形式研究”(14BWW052)的部分研究成果。

摘　　要：现代诗歌的创立和发展都是由理论所主导的,因此具有鲜明的理论品质。现代诗歌在理论主导下出现了三种具有代表性的发展态势:其一,诗歌形式从边缘进入中心;如果说传统诗人所进行的只是“内容”创作,那么,现代诗人所进行的就是“内容-形式”创作。其二,诗歌形式的视觉美学凸起,诗歌的视觉要素直接介入到了读者的阅读审美体验之中。其三,诗歌语言的“非传统语法”意义开发,诗歌语言自身的一些特质(即“物质性”)受到重视并且在诗歌创作中得以表现。Theories of various kinds have contributed the most to the foundation and development of modern poetry,which grants it obvious theoretical qualities.With the guide of different theories,modern poetry has demonstrated three typical trends for its development.Firstly,poetic forms have become a central concern in poetry creation,despite the fact that they were marginal in the past when poets put most of their energy in the creation of the content.Nevertheless,modern poets have to work on both the form and the content when they are composing a poem.Secondly,visual aesthetics has become quite prominent in modern poetry,and certain visual elements have directly entered into the aesthetical experience of the readership.Thirdly,non-grammatical meanings of the language in modern poetry have been probed and developed,and materiality of language itself has been emphasized and taken as a means to force the becoming of certain meanings in modern poetry.

关 键 词：现代诗歌 诗歌形式 视觉美学 

分 类 号：I106.2[文学—世界文学]