第一人称叙述下女性话语权威的建构——论《消失的爱人》中不可靠叙述和个人型叙述  

Construction of Female Discursive Authority in First-person Narration:On Unreliable Narratives and Personal Narratives of Gone Girl

作　　者：左佳 朱蕴轶[1] ZUO Jia;ZHU Yunyi(School of Foreign Studies, Anhui University, Hefei 230601, China)

机构地区：[1]安徽大学外语学院,合肥230601

出　　处：《合肥工业大学学报（社会科学版）》2020年第6期72-77,共6页Journal of Hefei University of Technology(Social Sciences)

摘　　要：《消失的爱人》是一部融合爱情、婚姻、家庭伦理和犯罪等多个主题的美国当代小说,其展现了女性在个人成长和婚恋生活中如何艰难地建构话语权威的过程。作者吉莉安·弗琳通过独特的叙事策略和双重叙事视角的转换,使男女主人公尼克和艾米从不同角度开始自我诉说,因此两人的第一人称叙述具有不同程度的权威和真实性。文章从韦恩·布斯的不可靠叙述理论和苏珊·兰瑟的女性主义叙事学入手,对比分析两人的第一人称叙述,揭示小说的隐含作者如何暗中调控和介入文本,从而有效地解构了男性话语权威,并且通过建构独特的女性主体性和女子气质,达到树立女性话语权威的目的。Gone girl,an American contemporary multi-theme novel dealing with love,marriage,family ethic and crime,reveals how women struggle to construct discursive authority in the process of individual growth,love and marriage.In the device of distinctive narrative strategies and the dual narrative point of views,Gillian Flynn enables the protagonists,Nick and Amy,to tell their story from different perspectives,endowing their first-person narration with different authority and authenticity.In the light of the unreliable narratives proposed by Wayne C.Booth and feminist narratology proposed by Susan S.Lanser,conducted in the way of comparing two main characters’first-person’s narration,this paper attempts to demonstrate how the implied author adjusts and gets involved in the narration,effectively deconstructing male discursive authority and constructing female discursive authority by constructing female subjectivity and redefining femininity.

关 键 词：话语权威 第一人称叙述 隐含作者 女性主体性 

分 类 号：I106[文学—世界文学]