楚文化与汉代音乐文化的历史解读  

Historical Interpretation of Chu Culture and Music Culture of Han Dynasty

作　　者：田可文[1] Tian Kewen

机构地区：[1]武汉音乐学院音乐学系,湖北武汉430060

出　　处：《南京艺术学院学报（音乐与表演版）》2020年第4期25-33,I0002-I0004,I0006,共13页Journal of Nanjing Arts Institute:Music & Performance

摘　　要：楚文化指楚人、楚国创造而长期积淀的文化实体和形态。楚地民间巫风盛行,土俗尚祠祀歌舞,楚地民歌与歌舞与其他楚文化一起,构筑起瑰丽奇异的楚地文明。汉代乐府中就继承了楚地的音乐文化,汉代歌舞中的尚巫观念更是承袭楚文化的精神,汉代相和歌中就有楚的元素,楚地音乐也兴盛于汉代器乐曲中。汉文化与楚文化长期交融与吸收,成为占主导地位的中国文化。Chu culture refers to the cultural entity and form created by Chu people and Chu state for a long time.The folk customs of Chu are very popular,and the local customs still advocate sacrificial songs and dances.Together with other Chu cultures,the folk songs and dances in Chu area have built a magnificent and singular Chu civilization.The music culture of Chu was inherited in Yuefu of Han Dynasty,and the concept of advocating witchcraft in song and dance of Han Dynasty inherited the spirit of Chu culture.There were elements of Chu in Xianghe songs of Han Dynasty,and Chu music flourished in the instrumental music of Han Dynasty as well.Han culture and Chu culture blended and absorbed for a long time,and has become the dominant Chinese culture.

关 键 词：楚文化 汉乐府 相和歌 汉代音乐 汉文化 

分 类 号：J609.2[艺术—音乐]