龙门地区出土文物与丝绸之路上的人文交流  

Cultural Relics Unearthed in Longmen and the Cultural Exchange along the Silk Road

作　　者：张成渝[1] 张乃翥 ZHANG Cheng-yu;ZHANG Nai-zhu(School of Archaeology,Literature and Museum,Peking University,100871 Beijing,China;Research Institute of Longmen Grottoes,Luoyang 471023,Henan,China)

机构地区：[1]北京大学考古文博学院,北京100871 [2]龙门石窟研究院,河南洛阳471023

出　　处：《石河子大学学报（哲学社会科学版）》2020年第6期88-95,共8页Journal of Shihezi University(Philosophy and Social Sciences)

摘　　要：作为丝绸之路东方起点城市的洛阳,汉唐时代因为中外人文交流的繁荣,这里曾经积淀了丰厚的域外文明的遗迹。该文捃集洛阳龙门地区出土的粟特人佛塔遗存、中原僧人弘扬天竺教门法脉的纪德石刻、当地优婆夷在家念诵于阗高僧实叉难陀所译《楞伽经》的墓碑叙事以及龙门石窟造像遗迹中出现的“希腊鼻”美术样式、“湿衣”半裸式的佛像特征,装饰浮雕中纷纷沿用南亚流行的莲花、璎珞等诸多艺术资源,通过跨文化研究的方式,从意识形态视域揭示出当年中原一带通过丝绸之路上的人际运载,焕发着域外文明中那些具有普世意义的资源共享的人类理念。Luoyang,as the starting point in the east end of Silk Road,was prosperous because of sino-foreign cultural exchanges in Han and Tang dynasties,where accumulated rich relics of foreign civilizations.Taking such artistic resources as Buddhist temple relics built by Sogdians,virtue recording stone tablets showing Chinese monks preaching Indian religious principles,tombstone narration describing local female Buddhist believers singing Lankavata translated by prestigious Hotian monk Shichanantuo,the“Greek Nose”artistic form shown in Longmen Grottoes carvings,Buddhist feature of half naked“Wet-Clothes”Buddha,lotus style prevailing in Southeast Asian relief sculpture,jade and pearl necklace as materials for cross-cultural studies,we aim to reveal ideologically the universalist human idea for sharing resources that once prevailed in west-region civilizations,which were conveyed to middle China through Silk Road.

关 键 词：安思泰 康法藏 《楞伽经》 “希腊鼻” 湿衣佛像 

分 类 号：K879.23[历史地理—考古学及博物馆学]