异声、变奏与对话——论京派散文家的人道主义观  

Heterophony,Variation and Dialogism:Beijing Essayists’Humanistic Views

作　　者：张颖[1] ZHANG Ying(Primary Education College,Nantong Normal College,Nantong 226000,China)

机构地区：[1]南通师范高等专科学校初等教育学院,江苏南通226000

出　　处：《中北大学学报（社会科学版）》2021年第1期61-67,共7页Journal of North University of China：Social Science Edition

基　　金：教育部人文社会科学研究青年基金项目:京派散文与中国散文的现代转型研究(19YJC751068);教育部人文社会科学研究青年基金项目:桐选之争与中国现代散文文体秩序的建立(17YJC751012)。

摘　　要：作为第一代京派散文家的代表,周作人建立了人道主义理论,而他的理论中显然存在“救世”与“个人主义”的矛盾,这矛盾同属于其他京派散文家。京派作家向以严肃、自由的创作态度著称,京派的散文创作可以说是当时时代的“异声”。但1937年之后,眼见民族危亡、时局动荡,他们中的大多数开始“转向”,产生了创作上的“变奏”。而“变奏”的因子实为京派散文家所固有。京派散文家的矛盾具有对话性质,而这恰是此一散文传统于1980年代后仍得以发展的重要原因。As a representative of the first generation of Beijing essayists,Zhou Zuoren created the Humanistic theory which contains a contradiction between saving the world and individualism.The contradiction existed among other Beijing essayists as well.Beijing writers were known as a group of writers who had serious and free creation attitudes,and Beijing essayists were apparently different from other Beijing writers.After 1937,in the face of the dangerous and uncertain situations of the nation,most Beijing essayists started to change their essay creation.Due to the dialogue quality of the Beijing essayists,this tradition was developed after the 1980s.

关 键 词：京派散文 周作人 沈从文 人道主义 

分 类 号：I207.6[文学—中国文学]