论蒋光慈的“非虚构写作”及其“现实主义”意义  

On Jiang Guangci’s“Nonfiction Writing”and Its Significance of“Realism”

作　　者：李钧[1] LI Jun(School of Arts,Qufu Normal University,Qufu 273165,China)

机构地区：[1]曲阜师范大学文学院,山东曲阜273165

出　　处：《齐鲁学刊》2021年第1期144-151,共8页Qilu Journal

摘　　要：蒋光慈是现代中国文学史上的一位“现象级”作家,其创作具有巨大的阐释价值和学术增殖意义。从文体学和主题学层面来看,蒋光慈的报告文学式小说是跨文体的非虚构写作,不仅具有文体创新价值,更以实录精神和阶级意识为现代中国留下了“历史的证据”,因而在中国新文学由启蒙文学向普罗文学和“人民文学”的转型发展过程中具有里程碑式的意义;从“现实主义文学”源流来看,蒋光慈小说批判“资本的权力”和都市贫富分化现象,更接近严格意义上的现实主义文学本质,不仅使茅盾藉以扬弃了普罗文学的幼稚病进而创作出具有经典意义的现实主义文学巨制《子夜》,而且对于今天反思“无边的现实主义”仍然具有重要的方法论意义。Jiang Guangci is a phenomenal writer in the history of modern Chinese literature,and still has great explanatory value and academic significance in nowadays.From the perspective of stylistics and thematic studies,Jiang Guangci’s reportage style novel belongs to nonfiction writing,which not only has stylistic innovation value,but also leaves“historical evidence”for modern China with recording spirit and class consciousness.Therefore,Jiang Guangci is considered as milestone in the transformation of modern Chinese enlightenment literature to proletarian literature and“people’s literature”.From the perspective of“realistic literature”,Jiang Guangci’s novels criticize the“power of capital”and the extreme disparity between the rich and the poor.It is realistic literature in the strict sense,which not only enables Mao Dun to discard the disadvantages of proletarian literature and create a pure realistic masterpiece Midnight,but also has important methodological significance on reflecting the“boundless reality”in nowadays.

关 键 词：蒋光慈 报告文学式小说 非虚构写作 现实主义 

分 类 号：I206.6[文学—中国文学]