物象与隐喻:现当代文学灾害叙事中的身体景观  

Image and Metaphor:Bodily Landscape in Disaster Narrative of Modern and Contemporary Literature

作　　者：周惠[1] ZHOU Hui(College of Literature, Henan Normal University, Xinxiang, Henan 453007, China)

机构地区：[1]河南师范大学文学院,河南新乡453007

出　　处：《湘潭大学学报（哲学社会科学版）》2021年第1期128-133,共6页Journal of Xiangtan University:Philosophy And Social Sciences

基　　金：全国优秀博士学位论文作者专项资金资助项目成果(201308)。

摘　　要：灾害叙事中的身体景象,显示出文学与灾害于人学层面的融合统一。灾境的极致与特殊,凸显出身体存在的真切和多样,使得以身体视角观照现当代文学的灾害书写必要且可行。灾害叙事中身体的沉重与受难、交换与消费、规避与操控,展现出身体的自然属性以及围绕身体、生命展开的经济、政治和文化实践。灾害叙事对身体现象的关注,应当兼顾灾害的情境性、身体的多样性、文学的审美性,超越表象化、同质化的身体描述,实现灾害写作与身体叙事的互融共赢。Bodily landscape in disaster narrative demonstrates the integration of literature and disasters in humanology.The extremity and particularity of disasters highlight the authenticity and diversity of bodily existence,which makes it essential and feasible to observe disaster narrative from the perspective of human body.In disaster narrative,heaviness and suffering,exchange and consumption,evasion and manipulation of human body manifest the natural property of the body and the economic,political,and cultural practice that revolve around human body and human being.The focus of disaster narrative on the physical phenomenon should take into account the contextualization of disaster,the diversity of the body and the aesthetic of literature,transcend the representation and homogenization of the body description,and realize the mutual integration and win-win situation of disaster writing and body narrative.

关 键 词：现当代文学 灾害叙事 身体景观 身体诗学 

分 类 号：I206[文学—中国文学]