从文学地理学视角探究吴文英的词风  

On Wu Wenying’s Ci Style from the Perspective of Literary Geography

作　　者：林晓娜[1] 陈麒如 LIN Xiao-na;CHEN Qi-ru(Department of Chinese Language and Literature,Shantou university,Shantou,Guangdong 515063)

机构地区：[1]汕头大学文学院,广东汕头515063

出　　处：《汕头大学学报（人文社会科学版）》2020年第8期11-15,94,共6页Journal of Shantou University(Humanities and Social Sciences Edition)

基　　金：教育部人文社会科学青年基金项目“文学地理学视域下的南宋四明文学研究”(16YJC751015);广东省教育厅育苗工程(人文社科)项目“宋代四明文士及其诗文考论——以楼氏、史氏家族为中心”(2013WYM_0023)。

摘　　要：吴文英的词风与其一生所经行之地的地理文化有着重要的联系。梦窗词的雅化倾向与四明科举风气高涨、研习理学风气浓郁有关,辞赋笔法的形成也与四明重屈原及辞赋的学风有关。吴文英的苏杭词中分别折射出汴京和古吴都的影子,受地域文化影响,杭州词更为富丽典雅,苏州词更为雄快清健。苏杭两地的隐逸思想有所不同,杭州词是内敛的、幽深的,苏州词则是疏阔放落的。Wu Wenying’s Ci style is closely related to the geographical culture of the place where he lived.Theelegant style and technique of writing were influenced by the academic atmosphere and the style of scholars in Siming.Bianjing and the ancient capital of Wu wererespectively reflected in Wu Wenying’s Hangzhou Ci and Suzhou Ci.Under the influence of regional culture,Hangzhou CI is more sumptuous,and Suzhou CI is more vigorous.Wu Wenying’s thought of seclusion in Suzhou and Hangzhou is different.In Hangzhou,it is introverted and deep,while in Suzhou,it is relatively broad and vigorous.

关 键 词：文学地理学 吴文英 苏杭词 隐逸 

分 类 号：I206.2[文学—中国文学]