“天安门”意象的纪念碑性——论中国新诗(1917—1949)中的“天安门”意象  

Monumentality of Tian’anmen Imagery--The Imagery of Tiananmen(1917—1949)In Chinese New Poetry

作　　者：房梦蝶 傅华[2] FANG Meng-die;FU Hua(School of Chinese Language and Literature, Yunnan University, Kunming 650000;School of Chinese Language and Literature, China West Normal University, Nanchong 637002, China)

机构地区：[1]云南大学文学院,昆明650000 [2]西华师范大学文学院,南充637002

出　　处：《河南科技大学学报（社会科学版）》2021年第1期14-19,48,共7页Journal of Henan University of Science & Technology(Social science)

基　　金：国家社科基金重大招标项目子项目(15ZDB067);四川省社会科学规划项目重点项目(SC19A015);西华师范大学博士启动项目;西华师范大学英才科研基金项目。

摘　　要：从15世纪至今,天安门在中国文化中始终扮演着一个十分重要的角色,成为历史的见证者并随着1919年五四运动的发生而进入中国新诗,成为现代诗歌一个不容忽视的意象。从“纪念碑性”这一概念出发,能更好地将1917—1949这30余年间中国新诗中的“天安门”意象连续起来讨论,并在此基础上运用空间理论相关概念,从文化和政治的双重隐喻之中解读新诗中的“天安门”意象的诗学表征和文化内涵。借助于对时间性的“天安门”诗歌表述史的梳理,剖析“天安门”意象纪念碑性的建构过程,这些不同书写的逻辑背后隐藏着当时人们关注点的改变。From 15th century till now,Tian’anmen has always played an important role in Chinese culture,which has become the witness of Chinese history and slowly entered into Chinese New Poetry with the eruption of the May 4th Movement in1919,becoming one of images that can’t be ignored in Chinese New Poetry.Starting from the concept of monumentality,we can better discuss the image of Tian’anmen in Chinese new poetry during the thirty years from 1917 to 1949.On this basis,with the utilization of related concepts of space theory,the author interprets the poetic representation and cultural connotation of the Tian’anmen poetry in the new poem from the dual metaphor of culture and politics.This paper analyzes the monumentality construction process of the poetry of Tian’anmen by combing the expression the expression history of Tian’anmen poetry with timeliness.That is,the logic behind the different writing of Tian’anmen hides the change of people’s attention at that time.

关 键 词：“天安门” 纪念碑性 空间意象 

分 类 号：I206[文学—中国文学]