民族自觉的文学塑形与异化镜像——论竹枝词中的“假洋鬼子”  

Literary Shaping and Alienated Image of National Consciousness:The“Fake Foreign Devils”in Zhuzhi Ci

作　　者：罗杰[1,2] LUO Jie(College of Humanities,Wenshan University,Wenshan 663000,China;School of Chinese Language and Literature,Yunnan University,Kunming 650091,China)

机构地区：[1]文山学院人文与传媒学院,云南文山663000 [2]云南大学文学院,云南昆明650091

出　　处：《集美大学学报（哲学社会科学版）》2021年第1期76-86,共11页Journal of Jimei University：Philosophy and Social Sciences

摘　　要：从异质文化间文学镜像角度来思考竹枝词的近代转型,就会发现清末民初竹枝词中出现了“假洋鬼子”。它是中国近代社会转型时期西俗东移和西学东渐的产物,集中地反映了现代民族意识觉醒中社会群体认同的主体性。竹枝词中的“假洋鬼子”主要包括有“冶游弟子”“留学生”“洋奴”“西崽”等四种类型,在竹枝词中经由书写者的文化认同、民族认同、身份认同、审美认同等多重视角中建构出文学文本意义上的异化镜像,此类形象为知识阶层对文化危机、文化自觉、文化选择等社会转型心理诉求提供了路径。在维新变革的社会思潮中,可窥探中国近代知识分子民族自觉的细微变化,同时也是中国“他者化”的文化隐喻,具有特殊的文学审美价值。From the perspective of literary image between different cultures,it can be found that the image of“fake foreign devils”appeared in Zhuzhi Ci in the late Qing Dynasty and the early Republic of China.It was the product of the heterogeneous cultures between the East and the West in the period of social transformation in modern China.It reflects the psychological repre⁃sentation of social groups in the trend of thought of“the spread of Western learning to the East”.The“fake foreign devils”in Zhuzhi Ci mainly include four types:“Yeyou disciples”,“overseas students”,“foreign slaves”and“Xizai”.They construc⁃ted alienated Chinese images in literary texts from the perspectives of literati's cultural identity,national identity,personal iden⁃tity and aesthetic identity.They provided paths for the psychological demands of social transformation such as cultural crisis,cultural consciousness,and cultural option.The social ideological trend of reform and transformation reveals the subtle change of cultural self⁃confidence of modern Chinese literati,and it is also a cultural metaphor in the historical context of semi⁃colonial and semi⁃feudal society,which has special literary aesthetic value.

关 键 词：“假洋鬼子” 文化记忆 民族自觉 异化镜像 审美意识 

分 类 号：I106[文学—世界文学]