从颠覆到建构——论《丑女与野兽》对经典童话的颠覆书写  

From Subversion to Construction——On a Subversive Writing of Classic Fairy Tales in Feminist Fairy Tales

作　　者：孔岩[1] 冯琦 KONG Yan;FENG Qi(School of Chiniese Language and Literature, Yan’an University, Yan’an 716000, China)

机构地区：[1]延安大学文学院,陕西延安716000

出　　处：《榆林学院学报》2021年第1期87-90,共4页Journal of Yulin University

摘　　要：芭芭拉·G·沃克从女性主义视角改写经典童话的作品《丑女与野兽》,用戏拟的手法对经典童话中男性中心意识进行批判,解构男性形象,重塑新女性形象,颠覆传统童话中男强女弱的两性关系,构建新鲜有力的女性世界。芭芭拉改写的女性主义童话对颠覆男权意识的堡垒具有积极意义,但作者激进的性别立场也暴露出情节翻转生硬、文学性不强、走向极端女性中心的局限性。From the perspective of Feminism,Barbara·G·Walker rewrites the classic fairy tale,Feminist Fairy Tales,which criticizes the male-centered consciousness in the classic fairy tales by means of parody,deconstructs male figures,reconstructs new female figures,subverts the gender relationship in the traditional fairy tales,and constructs a fresh and powerful female world.It has a positive significance to subvert the bastion of male power consciousness,but the author’s radical gender stance also exposes the limitations of rigid plot reversal,weak literariness and extreme femininity.

关 键 词：《丑女与野兽》 女性主义 经典童话 颠覆书写 

分 类 号：I287.7[文学—中国文学]