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作 者:张媛[1,2] ZHANG Yuan(School of Foreign Languages,Jiangsu University of Science and Technology,Zhenjiang Jiangsu 212100,China;School of Chinese Language and Literature,Soochow University,Suzhou Jiangsu 215123,China)
机构地区:[1]江苏科技大学外国语学院,江苏镇江212100 [2]苏州大学文学院,江苏苏州215123
出 处:《江苏科技大学学报(社会科学版)》2020年第4期40-47,共8页Journal of Jiangsu University of Science and Technology(Social Science Edition)
基 金:江苏省高校哲学社会科学研究一般项目“文化身份视阈下的赛珍珠接受研究”(2019SJA1921)。
摘 要:鲁迅发表于1924年的《祝福》与赛珍珠发表于1934年的《母亲》,就其女主人公称谓"祥林嫂""母亲"而论,只是对其家庭身份进行的简单化命名,表述的是旧中国农村妇女固有的传统角色与"他者"身份。在小说主人公命名问题上的选择巧合,显示出在创作风格与文学声誉上大相径庭的这两位作家的某种共识。就叙述框架、叙述视角、人物形象塑造等艺术表现手法以及政权、族权、夫权、神权对于人物的影响等思想内容而论,两部作品形似而神异,具有泾渭分明的差异。《祝福》与《母亲》文学形象生成的同形异构,究其本质源于两位作家迥异的文化立场、艺术表现方式与价值取向。In terms of the titles of heroines"Hsiang Lin′s Wife"and"Mother"in Lu Xun′s The New Year′s Sacrifice published in 1924 and Pearl Buck′s The Mother published in 1934 respectively,they are just simplified nominations for their family identities,which demonstrates the traditional role and identity of"the other"of the rural women in old China.The coincidental choice on the naming of the protagonist in the novel shows some common understanding between the two writers who differ greatly in their writing styles and literary reputations.In the case of artistic presentation techniques such as the narrative framework,narrative perspective,characterization,as well as the ideological contents about the influence of political power,clan power,patriarchal power and theocratic power on the characters,these two works are similar in form but not in spirit,and the two writers and their representative works are quite distinct from each other.The heterogeneity in homomorphism of the generation of literary images in The New Year′s Sacrifice and The Mother,in essence,is rooted in these two writers′utterly different cultural standpoints,artistic presentation styles and value orientations.
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