世有解语花,凭谁解花语——《簪花仕女图》之主题与隐喻研究  

Flowers Blossom in the World Waiting for Interpretation:A study of the theme and metaphor in the painting of Zhanhua Shinv Tu

作　　者：陈谷香[1] Chen Guxiang

机构地区：[1]浙江大学艺术与考古学院,浙江杭州310028

出　　处：《南京艺术学院学报（美术与设计）》2020年第6期9-18,209,共11页Journal of Nanjing Arts Institute:Fine Arts & Design

基　　金：浙江大学文科教师教学科研发展专项资助。

摘　　要：《簪花仕女图》的主题并非是赏花游园。该画中的配角、配物、配饰、配景,皆有文献依据,且暗含数个历史典故。此图的母本可能是安史之乱后,唐玄宗偷偷“令画工写妃形于别殿”的一组屏风。这组屏风散落后经过后人的重裱与再创作。再创作改变了屏风原本的独立叙事,打乱了屏风原有的季节组成次序,而形成了自己的叙事逻辑。The theme of Zhanhua Shinv Tu(the Painting of Beautiful Ladies with Hairpin Flowers)is not about visiting a garden and enjoying flowers.The supporting roles,accessories,and scenery in the painting were all based on documents,and contained several historical allusions.The original picture may be a group of screens that Emperor Xuanzong of the Tang Dynasty secretly"asked painters to paint Imperial Concubine Yang in places other than the main hall"after Anshi Rebellion.This group of screens were remounted and recreated after got scattered.The recreation changed the original independent narrative of the screens,disrupted the original seasonal composition order,and formed their own narrative logic.

关 键 词：《簪花仕女图》 主题 杨贵妃 隐喻 哀而不伤 

分 类 号：J209[艺术—美术]