奏鸣曲式中调性结构对紧张感的影响——以莫扎特与贝多芬钢琴奏鸣曲为例  

The influence of tonal structure on tension experience in sonata pieces by Mozart and Beethoven

作　　者：车新春 孙丽君[1] 马小龙 杨玉芳 CHE Xinchun;SUN Lijun;MA Xiaolong;YANG Yufang(CAS Key Laboratory of Behavioral Science,Institute of Psychology,Chinese Academy of Sciences,Beijing 100101,China;Department of Psychology,University of Chinese Academy of Sciences,Beijing 100049,China;School of Music,Nanchang Hangkong University,Nanchang 330063,China)

机构地区：[1]中国科学院心理研究所行为科学重点实验室,北京100101 [2]中国科学院大学心理学系,北京100049 [3]南昌航空大学音乐学院,南昌330063

出　　处：《心理科学进展》2021年第2期218-224,共7页Advances in Psychological Science

基　　金：国家自然科学基金项目(31470985,31971034);中国博士后科学基金项目(Y9BH032001);江西省教育科学“十三五”规划项目(17YB120)。

摘　　要：音乐紧张感是音乐聆听的基础与重要环节。本研究选取莫扎特与贝多芬的音乐作品,运用紧张感模型计算与行为实验两种方法,探讨奏鸣曲式中的调性结构对紧张感的影响。研究发现,奏鸣曲中呈示部、展开部与再现部三部分的紧张感变化具有差异,展开部的紧张感高于呈示部与再现部,再现部的紧张感高于呈示部,这源于转调距离与转调频率的差异。本研究探讨了在大尺度的真实音乐作品中调性结构对紧张感的影响,为音乐学领域的研究提供佐证和新的视角。Musical tension is the basis of musical listening.In this study,we calculated tension values based on Tonal Tension Model and conducted behavioral experiment to explore the influence of tonal structure on tension experience in sonata compositions by Mozart and Beethoven.The sonata form is composed of three parts:exposition,development and recapitulation.Our results revealed that both of the tension values and tension experience in development were higher than that in exposition and recapitulation,and higher in recapitulation than in exposition.This might be due to the differences of the distance and frequency on tonal modulations in the three parts.Our study investigated the influence of tonal structure on musical tension in large-scale music works,providing evidence and new perspectives for the study of musicology.

关 键 词：调性结构 紧张感 奏鸣曲式 莫扎特 贝多芬 

分 类 号：B842[哲学宗教—基础心理学]