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作 者:赵聃 蔡方鹿[2] Zhao Dan;Cai Fanglu
机构地区:[1]西南石油大学马克思主义学院,四川成都610500 [2]四川师范大学哲学研究所,四川成都610066
出 处:《中华文化论坛》2021年第1期78-86,157,共10页Journal of Chinese Culture
基 金:国家社科基金重大项目"中国道统思想研究"(项目编号:17ZDA010)阶段性成果。
摘 要:朱熹诗论在理学思想影响下,呈现出理学化的特点。当国家正处于多事之秋,朱熹主张“诗不必作”,但受其道统论和心性论影响,朱熹又认为人之情感可“以诗发之”,承认了诗歌创作的合理性。朱熹从其文道观出发,提出诗“不用多作”,对“适怀”娱心的诗歌创作加以限制,并以平易自然作为诗歌的审美追求,肯定“真味发溢”的诗歌,而否定有意而为的诗歌创作。Zhu Xi's poetics were influenced by Neo-Confucianism Thought and thus have NeoConfucianism characteristics.During the troubled times of the state,Zhu Xi advocated that"it's unnecessary to write poems".Driven by Confucian orthodoxy and temperament theory,he thought that human feelings could be"reflected in poems"and recognized the reasonableness of poetic creation.From his article views,Zhu Xi proposed"not to write many"poems,but permitted to release one's emotion to entertain oneself by writing poems as the limit.He stressed the aesthetic pursuit for amiable and natural poems,affirmed poems"reflecting real feelings",and denied poems created on purpose.
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