《海洋天堂》中水意象的视听传达与文化意蕴  

Audio-visual Communication and Cultural Implication of Water Image in Ocean Heaven

作　　者：李娟[1] 钟志强 LI Juan;ZHONG Zhi-qiang(Nanchang Normal University, Nanchang 330032, China)

机构地区：[1]南昌师范学院人事处,江西南昌330032 [2]南昌师范学院文学院,江西南昌330032

出　　处：《金陵科技学院学报（社会科学版）》2020年第4期42-46,共5页Journal of Jinling Institute of Technology(Social Sciences Edition)

基　　金：南昌师范学院科研项目“影视传达视域下自闭症患者特殊感物观研究”(19RWYB03)。

摘　　要：《海洋天堂》中的水意象作为创作者观念与受众体验感受的媒介,勾连了创作者、表演者及观众的内心世界。语言、表情、动作的结合是《海洋天堂》塑造人物形象的重要方式,色彩、音乐等视听传达方式在某种程度上拉近了观众与影片的距离。而水意象文化意蕴的间接传递则是影片持续感染欣赏者审美的重要手段。The water image in the movie of Ocean Heaven,as the medium of the creator's concept and the audience's experience and feeling,connects the inner world of the film maker,the protagonist and the audience.The combination of language,expressions,and actions is an important way for Ocean Heaven to portray characters.Color,music and other audio-visual communication methods,to some extent,shorten the distance between the audience and the movie.The indirect transmission of the cultural implication of water image is an important means for a movie to continuously appeal to the audience's aesthetics.

关 键 词：水意象 《海洋天堂》 视听传达 文化意蕴 

分 类 号：I235[文学—中国文学]