从粟特撒达剌欺上的装饰图案看艺术的承与变  

Viewing the Inheritance of Art from the Decorative Patterns of Sogdiana’s Zandaniji

作　　者：杨静[1] YANG Jing(School of Art,Soochow University,Suzhou 213125,China)

机构地区：[1]苏州大学艺术学院,江苏苏州215123

出　　处：《科学．经济．社会》2020年第4期42-49,共8页Science Economy Society

基　　金：国家社科基金艺术学后期资助一般项目“中亚细亚古代艺术源流”(19FYSB030);江苏省高校哲学社会科学研究一般项目“伊朗萨法维时期地毯装饰艺术研究”(2019SJA1423)。

摘　　要：粟特艺术博采众长,既有鲜明的萨珊波斯特点,又对中国北朝至唐代的装饰艺术产生了深远的影响。文章以各博物馆收藏的撒达剌欺装饰图案为切入点,分析了几个典型图案如联珠纹、猪头纹、森穆夫纹在不同地域的面貌,同时对粟特纹样如何与中国装饰艺术融合与演变进行了可能性分析。Sogdian Art had learn widely from others’ strong points. It’s art not only has distinctive Sassanian characteristics, but also has a profound impact on the decorative art from the Northern Dynasties to the Tang Dynasty. Based on the Zandaniji collected in various museums, this paper analyzes the appearance of several typical patterns, such as pearl roundels pattern, wild boar’s head and simurgh pattern in different regions, and how the integration and evolution between Sogdian and China decorative art with possibility analysis.

关 键 词：撒达剌欺 装饰图案 粟特 纺织考古 

分 类 号：J19[艺术—艺术理论]