贾平凹的“西部世界”——《极花》中的乡土想象  

JiaPingwa's“Westworld”——The local Imagination in Broken Wings

作　　者：魏梦茹 WEI Meng-ru(School of Literature,Anhui University,Hefei 230031,China)

机构地区：[1]安徽大学文学院,安徽合肥230031

出　　处：《昭通学院学报》2020年第6期76-81,共6页Journal of Zhaotong University

摘　　要：长篇小说《极花》展示了一个西北偏远村落的生存状态与风土人情,农村人文与地理的全景书写、标记式的乡土写作以及乡土中国的温情与伦理一同搭织起贾平凹的西部世界,从中也可以窥视作家本人对农村的态度与立场。妇女被拐的现实问题是叙事的出发点与落脚点,在这浅层结构下流露的是作家本人对当下社会巨大转型时期城市与农村之间日益紧张的矛盾、冲突等现代化问题的看法,是他对传统乡村衰落的担忧与焦虑的文本迁移。Novel shows the living conditions and customs of a remote village in northwest China,the Panorama of rural humanity and geography,the marked rural writing and the warmth and ethics of rural China woven together in Jia Pingwa's western world,from which we can also see the author's attitude and position towards rural areas.The realistic problem of the abduction of women is the starting point and ending point of the narrative,what is revealed in this shallow structure is the author's own views on the increasingly tense contradictions and conflicts between urban and rural areas during the great social transformation period,it is his worry about the decline of the traditional countryside and his anxious text transfer.

关 键 词：贾平凹 《极花》 乡土想象 

分 类 号：I207.42[文学—中国文学]