从“清风明月”到“断虹霁雨”——北宋雅词中士大夫人格精神的诗性表达  

From “Gentle Breeze and Bright Moon” to “the Rain Stops and the Rainbow Appears”: The Poetic Expression of the Literati Spirit about Ci-poetry in Northern Song Dynasty

作　　者：陈莹 Chen Ying

机构地区：[1]首都师范大学文学院

出　　处：《中国文化研究》2020年第4期85-95,共11页Chinese Culture Research

摘　　要：宋词雅化以心性涵养为根本动因,是士大夫人格精神与审美精神融会交通的自觉艺术实践。宋人雅词所锤炼的审美意境,实质是宋代士大夫人格精神的诗性凝练,也是宋代士人将道德教化自觉引入词学审美的创作表现。较有代表性者有欧阳修"清风明月"词境对"与物之情"的转化,苏轼"也无风雨也无晴"词境对"自适之适"精神境界的升华,和黄庭坚"断虹霁雨"对"光风霁月"人格气象的参证。在词境的雅化过程中,心性哲学观念与宋词达成了一种理念上的同构,证明了宋型审美精神是建立在以伦理道德为基础的哲学层面之上的。The literati refined Ci-poetry to elegance consciously, and the spiritual mentality is the fundamental motivation. The artistic conception of Ci-poetry is the typical poetic expression of scholar-bureaucrat’s spiritral mentality, and it’s also the performance of the literati in the Song dynasty, who introduced moral education into aesthetic field consciously. This article provides three typical examples. The representative practices are the "gentle breeze and bright moon" written by Ouyang Xiu, the "neither rain nor shine" writen by Su Shi, and the "residual rainbow after rain" written by Huang Tingjian. In this process, philosophy of personality spirit and the Ci-poetry had achieved the conceptual consistency. It proves that the aesthetic spirit of the Song dynasty is based on the philosophy of ethics.

关 键 词：宋词雅化 心性 词境 人格精神 审美表达 

分 类 号：K244[历史地理—历史学] I207.23[历史地理—中国史]