中亚华裔东干文学中女性形象的流变及其文化成因  

The Cultural Cause of Evolution of Female Images in Dungan Literature of Central Asian Chinese

作　　者：何云霞[1] 钱素芳[2] 李英堂[3] HE Yun-xia;QIAN Su-fang;LI Ying-tang(School of Literature,Lanzhou University;Library,Lanzhou University;School of Computer and Communication,Lanzhou University of Technology,Lanzhou Gansu 730000,China)

机构地区：[1]兰州大学文学院,甘肃兰州730000 [2]兰州大学图书馆,甘肃兰州730000 [3]兰州理工大学计算机与通信学院,甘肃兰州730000

出　　处：《河北民族师范学院学报》2021年第1期48-55,共8页Journal of Hebei Normal University For Nationalities

基　　金：2011年度国家社会科学基金“中亚华裔东干文学与俄罗斯文化”(11CWW009)。

摘　　要：从女性主义视角对东干文学著名作家作品中的女性形象、女性主题进行研究,梳理、勾勒出其女性形象发展流变历程;分析其各个阶段包孕的独特时代精神与民族特色,挖掘其复杂幽深的多元历史文化成因。东干文学三个时期女性形象塑造特色鲜明,从“第二性”的性别维度,展示了中亚华裔女性从沉默服从到自我觉醒、从个性追求到勇敢抗争、从传统到现代的探索、成长体验与精神进化史。From the viewpoint of Feminism,the study focused on the female images and themes of works of the famous writers of Dungan Literature.Through the study on the unique characteristics of national culture and history of Dungan Female Literature,this thesis sketched the trace of historical change and outlined the complicated cultural causes.The trace of historical change of Dungan Female Literature in three stages has shown that the female images were viewed in the dimension of“second sex”in old days;the evolutionary history of Central Asian Chinese female images showed us the change from the obedience to the awakening,from subordinate to confident and independent,from traditional to modern.

关 键 词：东干文学 女性主题 女性主义 回儒双重文化 多元化形象 

分 类 号：I106.9[文学—世界文学]