蔡家山土陶花鸟纹装饰与民间剪纸艺术的借鉴融合  

The integration of Caijiashan earthenware flower and bird pattern decoration and folk paper cutting art

作　　者：吕枫韵[1] 向玉 贾晓岚 Lv Fengyun;Xiang Yu;Jia Xiaolan(Central China Normal University,Hubei,Wuhan,430079)

机构地区：[1]华中师范大学美术学院,湖北武汉430079 [2]广东佛山市南海区石门实验小学

出　　处：《陶瓷研究》2021年第1期1-5,共5页Ceramic Studies

摘　　要：在湖北民间土陶中,蔡家山窑生产的花鸟纹饰陶器造型丰富、意象淳朴,风格清新,情感热烈,它明显地借鉴融合了剪纸艺术,使其成为湖北民间土陶中一道靓丽的风景线,也是中国民间土陶中一颗璀璨的明珠。本文通过对蔡家山土陶花鸟纹样装饰的研究,探讨它与民间剪纸艺术借鉴融合的缘由以及二者在思维方法、使用技巧、审美表现、文化意蕴等方面的借鉴融合。Among the folk earthenware in Hubei Province, the flower and bird decorative pottery produced by caijiashan kiln is rich in shape, simple in image, fresh in style and warm in emotion. It obviously draws lessons from and integrates the papercut art, making it a beautiful landscape in Hubei folk earthenware and a bright pearl in Chinese folk earthenware. Based on the research of caijiashan earthenware flower and bird pattern decoration, this paper discusses the reason of its integration with folk paper-cut art, as well as their integration in thinking methods, use skills, aesthetic performance, cultural implication and other aspects.

关 键 词：蔡家山土陶 花鸟剪纸 借鉴融合 

分 类 号：J0[艺术—艺术理论]