从地主形象的差异看当代文学观念的嬗变  

Viewing the Evolution of Contemporary Literary Concepts from the Difference of Landlords Image

作　　者：李兆虹[1] LI Zhao-hong(College of Arts,Xi'an University)

机构地区：[1]西安文理学院文学院,陕西西安710065

出　　处：《漯河职业技术学院学报》2021年第1期74-77,共4页Journal of Luohe Vocational Technical College

基　　金：陕西省社科基金项目“延安文艺与解放区电影创作的关系研究”(2019K002)。

摘　　要：五十年代作品《红旗谱》中的地主冯老兰,是政治话语中的阶级代言人;九十年代作品《白鹿原》中的地主白嘉轩,是浸染着儒家文化、充满人格魅力的宗法家族制的维护者;2007年出版的《青木川》中的地主魏富堂,是在人性关照下的多元化的人物。通过这三个地主,可以看出几十年来当代历史叙事的变化和作家的政治理念、文学观念、美学观念等精神结构的变化。FENG laolan,the landlord in the Red Flag Spectrum in the 1950s,is the class spokesman in the political discourse.Bai Jiaxuan in the work Bailuyuan in the nineties is the protector of patriarchal clan system and the landlord who is imbued with Confucian culture and full of personality charm.WEI Futang,the landlord in Qingmuchuan published in 2007,is a brand-new and complex image of landlord under the care of human nature.This paper uses the method of comparative analysis to analyze three kinds of landlord images.This paper takes this as a clue to investigate the changes of contemporary historical narrative,writers'political ideas,literary ideas and aesthetic ideas in the past decades.

关 键 词：地主形象 冯老兰 白嘉轩 魏富堂 文学观念 

分 类 号：I042[文学—文学理论]