孟菲斯派的反叛美学艺术研究  

ON THE REBELLIOUS AESTHETIC ART OF MEMPHIS

作　　者：庄宜君 邱海东[1] ZHUANG YIJUN;QIU HAIDONG(不详)

机构地区：[1]海南大学美术与设计学院

出　　处：《设计》2021年第3期81-83,共3页Design

摘　　要：20世纪80年代,一群反对"功能主义"以索特萨斯为代表的感性怪咖在意大利成立孟菲斯派,它的出现打破现代主义设计带来的单调乏味的生活,糅合了波普艺术以及装饰艺术等,成为后现代主义设计的代表之一,其产生、发展和转变给设计界带来很深的思考和启迪。孟菲斯派的设计就如同是时代的"反叛者",虽带来不一样的个性,但也同时具有局限性,因此设计师作为社会和自然之间的连结者,更应该取其精华去其糟粕,采纳孟菲斯派兼容并包原则,为设计的发展拓宽更广的思路而努力。In the 1980 s,a group of perceptual geeks,who opposed"functionalism"and represented by sottsas,established the Memphis school in Italy.Its emergence broke the monotonous life brought by modernism design,mixed pop art and decorative art,and became one of the representatives of postmodern design.Its emergence,development and transformation brought deep thinking and Enlightenment to the design industry.The design of Memphis school is like the"rebel"of the times.Although it brings different personalities,it also has limitations.Therefore,designers,as the link between society and nature,should take the essence of their products to absorb anything and everything.They should adopt the principle of inclusive Memphis and strive to broaden their thinking for the development of design.

关 键 词：孟菲斯派 反叛设计 多元开放 现代启迪 影响研究 

分 类 号：J05[艺术—艺术理论]