《再谈〈春之祭〉——斯特拉文斯基的分层观、节拍的心理特征和非洲复合节奏》导读  

An Introduction of“The Rite of Spring Briefly Revisited:Thoughts on Stravinsky’s Stratifications,the Psychology of Meter,and African Polyrhythm”

作　　者：郭新[1] GUO Xin

机构地区：[1]中央音乐学院作曲系,北京100031

出　　处：《黄钟（武汉音乐学院学报）》2020年第3期20-24,165,共6页Huangzhong:Journal of Wuhan Conservatory of Music

摘　　要：西方学术界对斯特拉文斯基《春之祭》音乐的研究和争论已经持续了一个多世纪,美国音乐理论家凡·顿·托恩教授的《再谈〈春之祭〉》(“The Rite of Spring Briefly Revisited:Thoughts on Stravinsky’s Stratifications,the Psychology of Meter,and African Polyrhythm”)一文,展示出他本人的最新研究成果。这篇导读是对20世纪60年代以来,特别是80年代以后西方(主要是美国)学术界对斯特拉文斯基《春之祭》这部作品研究情况的综述,涉及到对《春之祭》音乐创作分析解读的三种不同切入视点、分析方法及其争论点。并且,还通过简述引入到国内的其它文献资源及国内学者的研究,使读者能够从宏观上了解到国内外各方对《春之祭》音乐研究的立场和观点以及托恩教授写这篇文章的意图。Researches and arguments regarding Stravinsky’s The Rite of Spring have been continuing for more than a hundred years.The recent article“The Rite of Spring Briefly Revisited:Thoughts on Stravinsky’s Stratifications,the Psychology of Meter,and African Polyrhythm”by Pieter C.van den Toorn presented more profound insights into this work.This introduction reviews current research status of The Rite mainly in the U.S.since 1960s,especially since 1980s and concisely introduces three different approaches to the analysis of this piece as well as the focal issues of the arguments.Other overseas and domestic research literatures are also compared and discussed for better understanding of Toorn’s article.

关 键 词：春之祭 音级集合理论 俄国传统因素 分层化织体 非洲复合节奏 

分 类 号：J614[艺术—音乐]