哈萨克斯坦三首创作歌曲在我国变异初探  

A Preliminary Study on Variations of Three Kazakhstan Songs in China

作　　者：杜亚雄[1] 莱再提·克里木别克[2] DU Yaxiong;Lazzat Klimbek

机构地区：[1]中国音乐学院,北京100101 [2]新疆师范大学音乐学院,乌鲁木齐830001

出　　处：《黄钟（武汉音乐学院学报）》2020年第3期104-111,167,共9页Huangzhong:Journal of Wuhan Conservatory of Music

摘　　要：20世纪上半叶三首哈萨克斯坦创作歌曲在我国口头传唱后,被当成民歌搜集、记录、整理并经书面流传产生变异。经对原作及传唱后的曲谱分析研究,发现不同音乐审美观的形成与长期从事的生产和生活方式有关,中华民族音乐审美趋向于“静”,异于哈萨克斯坦民族的动态音乐审美。哈萨克族作为中华民族的组成部分,音乐审美观已区别于邻国哈萨克斯坦。During the first half of the 20th century,three songs composed by Kazakhstan composers spread in China orally and their variations were soon collected by Chinese musicians as folk songs.After comparing original compositions to their variations in China,the authors believe that Chinese music aesthetics are more incline to“the beauty of static”,while Kazakhstan are more incline to“the beauty of motion”,due to their different life styles.Chinese Kazakhs,on the other hand,as Chinese people,are different from Kazakhstan in musical aesthetics.

关 键 词：哈萨克斯坦歌曲 变异 音乐审美观 

分 类 号：J607[艺术—音乐]