东南亚南传佛教壁画考察与述略  

An Investigation and Review of the Frescoes of Southern Buddhism in Southeast Asia

作　　者：安佳[1] An Jia(不详)

机构地区：[1]北京服装学院

出　　处：《艺术设计研究》2021年第1期70-77,共8页Art & Design Research

基　　金：国家社科基金艺术学项目“东南亚南传佛教壁画研究”(编号:18BFO96)的阶段性成果。

摘　　要：南传佛教是泰、缅、柬、老等东南亚国家以及我国傣族地区具有主体地位的宗教形态,普及面广、信徒众多、影响深刻。作为其重要组成部分的南传佛教壁画,可谓是中南半岛上最具典型意义的美术形式。它既是信奉南传佛教信众的情感流露和心灵写照,又是其精神世界与审美理想的表征。本文依托田野考察所获取的一手资料及相关文献,对东南亚南传佛教壁画的历史沿革、内容题材、形式风格、表现手法和发展现状等进行了梳理与分析。Southern Buddhism is a dominant religious form in Thailand,Myanmar,Cambodia,Laos and other Southeast Asian countries,as well as Dai areas in China.It has a wide range of popularity,many believers and profound influence.As an important part of it,the fresco of Southern Buddhism is the most typical art form in Indochina Peninsula.It is not only the emotional expression and spiritual portrayal of the believers in Southern Buddhism,but also the representation of their spiritual world and aesthetic ideal.Based on the first-hand materials and related literature obtained from field investigation,this paper analyzes the historical evolution,content,theme,form and style,expression and development status of the frescoes of Southern Buddhism in Southeast Asia.

关 键 词：东南亚 南传佛教壁画 内容题材 形式风格 

分 类 号：J05[艺术—艺术理论]