从《庄子·秋水》看王履“庶免马首之络”思想的双重内涵  

Viewing the double connotations of Wang Lyu's thought of“avoiding the harness on the muzzle”based on Chuang Tzu·Autumn Water

作　　者：陈瑶瑶 CHEN Yaoyao(School of Liberal Arts, Nantong University, Nantong 226019, China)

机构地区：[1]南通大学文学院,江苏南通226019

出　　处：《镇江高专学报》2021年第1期26-29,共4页Journal of Zhenjiang College

摘　　要：王履提出的“庶免马首之络”绘画美学思想具有双重含义。这一美学思想出于《庄子·秋水》篇“落马首,穿牛鼻”一句,“庶免马首之络”本义是强调尊重事物的自然本性,这一出处及含义常被学界忽略。学界解读多是其引申义,即“避免艺术形象的概念化”。王履的这一美学主张在当时画坛过分追求前人技法的摹古思潮中显得别具一格,对后世画坛亦有重要的理论导向作用。Wang Lyu's painting aesthetic thought of“avoiding the harness on the muzzle”has double connotations,which is derived from Chuang Tzu·Autumn Water.Its original meaning is to emphasize the respect for the nature of things.This source and meaning is often ignored by the academic community.What academic circles interpret more is its extended meaning,that is,“avoiding the conceptualization of artistic image”.Wang Lyu's aesthetic idea was unique in the trend of overpursuing previous techniques in the painting world at that time,and also had an important theoretical guiding role in the later painting world.

关 键 词：《庄子·秋水》 王履 庶免马首之络 

分 类 号：I207.225[文学—中国文学]