20世纪中国美术与“国家形象”的视觉建构  

Chinese Fine Arts in the 20th Century and Visual Construction of“National Image”

作　　者：吉爱明[1] JI Ai-ming(Nanjing University of the Arts,Nanjing,Jiangsu 20013)

机构地区：[1]南京艺术学院党委,江苏南京20013

出　　处：《艺术百家》2020年第6期37-41,共5页Hundred Schools In Arts

基　　金：2019年度国家社科基金艺术学重大项目“中国共产党领导下的百年新美术运动研究”(项目编号:19ZD20)阶段性成果之一。

摘　　要：20世纪的中国美术与国家发展紧密相连,在凸显和构建国家形象方面具有不可替代的作用。19世纪末至20世纪上半叶,民族“国家”意识开始觉醒,而美术创作中的观念之争以及不同的风格呈现,实际上反映了特定时代下艺术家们心中不同的“国家形象”;抗日战争的全面爆发,“国家”意识也由觉醒转变为“共存亡”的情感内设,20世纪初的“美术革命”顺应时变演变为“革命美术”;新中国成立后十七年时期,中国美术的主要任务是为新生社会主义中国“造型”,为人民塑像;二十世纪八九十年代中国美术的发展,则是在反思与伤痕中,开始了游离于本质初衷的国家形象建构的创作实践。Chinese art in the 20 th century is closely related to the development and changes of the country,and plays an irreplaceable role in highlighting and building the national image. From the end of the 19 th century to the first half of the 20 th century,the national " state" consciousness began to awaken,and the dispute of ideas and the presentation of different styles in art creation actually reflected the different national images in the hearts of artists in a specific era;with the outbreak of the anti-japanese war,the " state" consciousness also changed from awakening to the emotional connotation of " common survival",and the " Art Revolution" in the early 20 th century conformed to the times In the seventeen years after the founding of the people’s Republic of China,the main task of Chinese fine arts was to " shape" the new socialist China and make statues for the people;in the 1980 s and 1990 s,the development of Chinese Fine Arts started the creative practice of the construction of national image,which was dissociated from the original intention.

关 键 词：20世纪中国美术 国家形象 视觉建构 

分 类 号：J02[艺术—艺术理论]