韩愈“不平则鸣”说的诗学归属论  

On Ontology of Han Yu’s Poetic Proposition“Moody and Mourning”

作　　者：刘锋杰 LIU Fengjie(Zhejiang Yuexiu University of Foreign Languages,Shaoxing,Zhejiang 312000;Department of Chinese Language and Literature,Suzhou University,Suzhou,Jiangsu 215123)

机构地区：[1]浙江越秀外国语学院,浙江绍兴312000 [2]苏州大学文学院,江苏苏州215123

出　　处：《中国文学研究》2021年第1期108-114,共7页Research of Chinese Literature

基　　金：国家社会科学基金重点项目“‘文以载道’观的发生、嬗变与当代价值研究”(18AZW001)。

摘　　要：与"温柔敦厚"强调诗教功能不同,韩愈的"不平则鸣"说主要探讨诗歌创作的主体条件与内容,这主要受孟子影响,也与儒家思想谱系中持续辨析"性""情"两个概念有关。"不平则鸣"说既是作家不满现实而激发出来的创作冲动,也是儒家提倡介入现实思想的一种诗学反映,我们不能仅承认前一点而否定后一点。Han Yu’s poetic proposition"Moody and Mourning"involves the required circumstance and conditions containing content for and of poetry,deviating from"Gentle and Solemn"with the emphasis on its moralizing.Such conception is greatly indebted to influence of Mencius,and also interrelated to Confucian notions of"Nature"and"Affection".It not only denotes the impetus of composition inspired from dissatisfaction with the real life,but also reflects the Confucius claim that composition should be connected with the reality,both of which could not be understated.

关 键 词：韩愈 不平则鸣 温柔敦厚 儒家诗学 抒情传统 

分 类 号：I207.22[文学—中国文学]