歌剧《图兰朵》中的东方元素研究  

Analysis of Oriental Elements in Opera“Turandot”

作　　者：曲龙彪[1] QU Long-biao(Academy of Arts,Northeast Petroleum University,Daqing,Heilongjiang 163318,China)

机构地区：[1]东北石油大学艺术学院,黑龙江大庆163318

出　　处：《大庆师范学院学报》2021年第2期85-93,共9页Journal of Daqing Normal University

摘　　要：普契尼在歌剧《图兰朵》展现了高超的创作手法,巧妙地将中国元素和意大利歌剧融合在一起,通过对图兰朵和卡拉夫的情感故事的描写,表达了自己对中国的深厚情缘,以及向世人展现了中国和中国文化的魅力。通过对《图兰朵》中蕴含的东方元素的挖掘,可进一步探讨普契尼在这部东方歌剧的表演和创作中如何充分运用这些东方元素并融合中国传统文化的元素,如何将中国传统音乐元素完美地融合到西方歌剧当中,为研究西方歌剧中的中国传统文化因素提供参考。Puccini showed superb creative techniques in his opera“Turandot”,skillfully blending Chinese elements with Italian opera,and expressing his deep love for China by describing the emotional stories of Turandot and Calaf,as well as showing the charm of China and Chinese culture to the world.By excavating the oriental elements in“Turandot”,we can further explore how Puccini make full use of these oriental elements and integrate the elements of Chinese traditional culture in the performance and creation of this oriental opera,and integrate the elements of Chinese traditional music perfectly into western opera,thus providing reference for studying the factors of Chinese traditional culture in western opera.

关 键 词：普契尼 《图兰朵》 中国传统民歌 东方元素 

分 类 号：G04[文化科学]