跨越时空的逆袭——《她乡》与《我乡》中的乌托邦式怀旧  

Trans-Dimensional Counterattacks:The Utopian-Nostalgic Constructions in Herland and With Her in Ourland

作　　者：戚涛[1] 杨甜甜 QI Tao;YANG Tiantian(不详)

机构地区：[1]安徽大学外语学院

出　　处：《广东外语外贸大学学报》2021年第2期16-26,157,共12页Journal of Guangdong University of Foreign Studies

基　　金：安徽省哲学社会科学规划重点项目“他时、他地、异国——认知图式视角下美国主流文学中的怀旧母题(1830—1930)”(AHSKZ2018D11)。

摘　　要：以最新的怀旧理论为视角,结合对怀旧与乌托邦两大理念的辨析,本文探究了吉尔曼在《她乡》与《我乡》中的乌托邦式怀旧建构,包括对理想化时空、社会纽带以及怀旧自我的建构。这些建构在一定程度上象征性地补偿了吉尔曼在现实中归属感的缺失,但效能相对有限。原因之一在于现代性与家庭生活创伤给吉尔曼带来的强烈归属感危机,之二在于她缺乏与现实博弈的资本。这些不利因素决定了吉尔曼无法构建出一个贴近现实的精神家园。她跨越时空的逆袭貌似更加激进,其实折射着无奈与妥协。From the perspective of the latest theory of nostalgia,this paper explores Gilman’s utopiannostalgic constructions in Herland and Ourland in terms of those of an idealized time-space,idealized social bonds and the nostalgic self,following the theoretical reflections on the relations between nostalgia and utopia.To some extent,such constructions serve to compensate symbolically for Gilman’s lack of a sense of belonging in reality,but its efficiency is relatively limited.The reasons lie firstly in her serious crisis of belonging brought by modernity and family trauma,and secondly in her lack of social capitals to bargain with the reality,both of which contribute to her inability to construct a spiritual homeland closer to real life.Radical and progressive as Gilman’s trans-dimensional counterattacks may seem,they in fact reflect her helplessness and compromise.

关 键 词：吉尔曼 怀旧 乌托邦 《她乡》 《我乡》 

分 类 号：I712.074[文学—其他各国文学]