论奥维德《变形记》中物的哲学与叙事  

On the Philosophy and Narrative of Things in Ovid’s Metamorphosis

作　　者：江澜 JIANG Lan(不详)

机构地区：[1]广东外语外贸大学图书馆

出　　处：《广东外语外贸大学学报》2021年第1期28-40,157,共14页Journal of Guangdong University of Foreign Studies

基　　金：国家社会科学基金一般项目“物叙事理论建构与批评实践研究”(18BWW003)。

摘　　要：从创作美学的角度看,在奥维德的《变形记》中,变形是叙事的主题,变形的依据是毕达哥拉斯的灵魂转移说。不过,从接受美学的角度看,在长篇小说的框架叙事中,除了传统的人叙事,还存在以思辨实在论为哲学基础的物叙事。其中,物叙事分为灵化叙事——主要包括人格化叙事与神格化叙事——和物化叙事(或拟物叙事)。有时,还存在复杂型叙事,例如灵化叙事与物化叙事掺杂在一起。In Ovid’s Metamorphosis,metamorphoses,from the perspective of creative aesthetics,is the theme of narration,the basis of which is Pythagoras’theory of soul transfer.However,from the perspective of reception aesthetics and in the frame narration of the novel,there is also the thing-narrative on the philosophical basis of speculative realism,in addition to the traditional person-narrative.Among them,the thing-narrative is divided into the narrative of spiritualization,mainly including personification and deification,and that of materialization(or objectification).Sometimes,there are complex narratives,such as the narrative of personification or deification and of materialization.

关 键 词：变形 物 灵魂转移说 思辨实在论 叙事 

分 类 号：I044[文学—文学理论]