何谓共同体?——中国电影共同体美学的理论支撑和问题意识  

What is Meant by“Community”?——Theoretical Support and Question Awareness of Chinese Film Community Aesthetics

作　　者：刘晓希 LIU Xiaoxi(School of Journalism&Communication,Guangzhou University,Guangzhou 510006,China)

机构地区：[1]广州大学新闻与传播学院,广州510006

出　　处：《上海大学学报（社会科学版）》2021年第2期29-38,共10页Journal of Shanghai University(Social Sciences Edition)

基　　金：国家社会科学基金重大项目(19ZDA333)。

摘　　要：共同体具有满足个体需要,以成员的和谐、安定、组织的稳固为目的以及浪漫梦幻的精神特质。如此包容的内涵得以不断将之嵌入到新的语境中予以重构,这也成为电影审美层面与共同体进行联姻的基础。中国现代艺术美学尤其是中国电影美学历来强调影像文本及其与相关艺术门类的关系,此外,中国电影美学同样具有感官愉快的功能,且与伦理性的社会情感相联系。事实上,我们没有将中国电影美学的共同体本性很好地融入实际拍摄实践中,这不仅是中国电影共同体美学讨论所应当持有的问题意识,也应该从对中国电影共同体美学的思考中找到解决当前电影困境的路径。"Community",a means of satisfying individual needs,aims to enhance harmony and peace among its members and organizational stability and acquires the traits of romantic ideals.The proposal of such an inclusive concept enables people to constantly reconstruct"community"by embedding it into new contexts,which has laid basis for our attempt to build connections between"community"and film aesthetics.Meanwhile,aesthetics of traditional Chinese art,including aesthetic thoughts on Chinese film theory,has always put emphasis on the importance of image text and its relationship with art types.In addition,Chinese film aesthetics emphasizes sensual pleasure,which can hardly be detached from ethical social emotions.In fact,we have failed to apply the community nature of Chinese film aesthetics to actual film shooting.However,this is the question awareness we should hold in exploring Chinese film community aesthetics.Still more importantly,we should seek solutions to current Chinese film predicaments from Chinese film community aesthetics.

关 键 词：共同体 共同体美学 审美共通性 叙事伦理 中国电影 

分 类 号：J902[艺术—电影电视艺术]