唐省试诗影响主流诗歌史的方式之一——苦吟(锻炼)的创作态度  

One Way that PTDIE Interfered with the Mainstream Poem History——Kuyin Attitude in Writing

作　　者：王群丽[1] WANG Qun-li(Chinese Hterature school,Liaocheng University,Liaocheng 252059,China)

机构地区：[1]聊城大学文学院,山东聊城252059

出　　处：《聊城大学学报（社会科学版）》2020年第6期48-54,共7页Journal of Liaocheng University:Social Science Edition

基　　金：国家社科基金青年项目(08CZW023):唐代省试诗研究。

摘　　要：苦吟作为一种创作态度,意味着创作者对诗歌创作的执着、专注,对诗歌艺术完美性的主动、不懈的追求和写作中不轻下一字的谨重,是锻炼发展到极致的状态。苦吟同时也意味着创作者身心甚至生活境况上的苦痛状态。苦吟现象出现于唐,盛行于中晚唐,是诗歌形式发展以及唐代以诗取士制度的产物。苦吟而成的诗歌,其风格往往偏于雕琢刻削,这种风格与省试诗的要求相符,虽然一些诗人并不赞同这种风格,但苦吟的创作态度却为广大诗人所接受,并对中晚唐以及宋以后的诗歌创作产生了深刻影响,是省试诗对诗歌史产生影响的一种重要方式。Kuyin(苦吟)meant to sedulously refine for perfect poems.And Kuyin poets'striving hard often accompanied with anguish.Kuyin phenomenon arose in early Tang Dynasty and prevailed in middle and late Tang Dynasty.It was a product of the poem style evolution and the principle of poetry test to select officials.The characters of poems composed by Kuyin often were polished.It was in general accord with PTDIE(the Poems in Tang Dynasty's Imperial Examinations).Although some poets didn't like that character but the writing attitude of Kuyin were accpted widely.That effected the poetry writing in the middlle and late Tang Dynasry even Song Dynasty・It partly changed the direction of mainstrean poetry history.

关 键 词：苦吟 锻炼 省试诗 影响 

分 类 号：I206.2[文学—中国文学]