重庆大圆祥博物馆木雕吞口的艺术形态浅析  

Analysis on the Art Form of Wood Carving Swallowing Mouth in Chongqing Dayuanxiang Museum

作　　者：朱博 罗江玫[1] Zhu Bo;Luo Jiangmei(College of Fine Arts,Chongging Normal University,Chongqing 401331.China)

机构地区：[1]重庆师范大学美术学院,重庆401331

出　　处：《艺术与设计（理论版）》2021年第1期130-131,共2页Art and Design

摘　　要：重庆大圆祥博物馆是中国目前古建收藏规模最大、藏品最为丰富的民间博物馆。在这家博物馆的精品厅里展藏着一整面的吞口面具。吞口是云、贵、川等一些少数民族地区用来挂在门上驱邪的木雕,吞口作为镇宅面具在中原地区非常盛行。作为一种特殊且重要的镇宅手段,吞口在民间信仰里有着不可忽视的重要地位。它造型独特、色彩多样、纹样丰富,具有独特的文化内涵。文章在当代文化背景下对重庆大圆祥木雕吞口的艺术形态进行浅析,融合现代艺术和人文精神的需求,推动对巴渝文化的保护和传承。Chongqing Dayuanxiang museum is a folk museum with the largest collection scale and the most abundant collection of ancient buildings in China. In this museum, a whole face of swallowing mask is displayed in the boutique hall. Tunkou is a kind of wood carving used to hang on the door to exorcise evil spirits in some ethnic minority areas such as Yun, Gui and Chuan. Tunkou is very popular in Central Plains as a town mask. As a special and important means of town control, Tunkou plays an important role in folk beliefs. It has a unique shape, diverse colors, rich patterns, has a unique cultural connotation. Under the background of contemporary culture, this paper analyzes the art form of Chongqing Dayuanxiang woodcarving Tunkou, integrates the needs of modern art and humanistic spirit, and promotes the protection and inheritance of Bayu culture.

关 键 词：重庆大圆祥博物馆 木雕 吞口 

分 类 号：J528[艺术—艺术设计]