论《诗经·唐风》的杂言句式  

Sentence Pattern of Miscellaneous Words in Tang Style Collected int he Book of Songs

作　　者：张雨 唐定坤[1] ZHANG Yu;TANG Dingkun(College of Liberal Arts,Guizhou Normal University,Guizhou,Guiyang 550025,China)

机构地区：[1]贵州师范大学文学院,贵州贵阳550025

出　　处：《福建师大福清分校学报》2021年第1期53-61,共9页Journal of Fuqing Branch of Fujian Normal University

基　　金：教育部人文社会科学青年基金项目(17YJC751035)。

摘　　要：《诗经》句式以四言为主,杂言为辅。但不为研究者注意的是,《诗经·唐风》中却保留了大量长短不一的句式,其杂言句式所占比例在《诗经》各部分内容中最高。这种杂言句式与四言句式相互交织,产生了抑扬顿挫、精妙绝伦的音律节奏;同时又具有不同的审美功效,在突出叙述重点、强调抒情和间破四言便于叙事等方面皆别具表现力。《诗经·唐风》多杂言,这可能与地域的特征、乐师的加工和“礼崩乐坏”的时代变化有关。The sentence pattern in the Book of Songs is mainly composed of four words,supplemented by miscellaneous words.However,what has not been noticed by researchers is that a large number of sentence patterns with different lengths are retained in Tang Style collected in the Book of Songs,and the proportion concerning sentence pattern of miscellaneous words is the highest among all parts of the Book of Songs.Such kind of sentence pattern of miscellaneous words and the sentence pattern of four words interweave with each other,producing both the exquisite and cadenced rhythm.At the same time,it boasts different aesthetic effects,which are expressive in highlighting the key points of narration,emphasizing lyricism and breaking the four words to facilitate narration.On the other hand,the fact that Tang Style collected in the Book of Songs is rich in miscellaneous words may be related to the regional characteristics,the processing of musicians and the changes in the era of"collapsed rites and disappeared music".

关 键 词：《唐风》 杂言句式 节奏 审美 

分 类 号：I206.2[文学—中国文学]