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作 者:张健[1] Zhang Jian(Department of Chinese Language and Literature,The Chinese University of Hong Kong,Hong Kong,China)
机构地区:[1]香港中文大学中文系,中国香港
出 处:《北京大学学报(哲学社会科学版)》2021年第1期72-84,共13页Journal of Peking University(Philosophy and Social Sciences)
基 金:国家社科基金重大项目“中国诗歌的语言艺术原理及其历史生成规律”(项目编号:18ZDA279)的研究成果。
摘 要:"诗言志"命题蕴涵诗为说话的命题,涉及诗与日常语言的关系。传统文论一方面肯定诗与日常语言的关系,认识到日常语言的文学效果,另一方面也觉察到日常语言的俚俗性,有区别诗歌语言与日常语言的倾向。既利用日常语言的文学效果,又避免其俚俗,遂成为传统文论及创作实践探讨与探索的问题。现代白话诗运动"做诗如说话"之主张可视为传统观念与实践的延续。The ancient proposition that a poem expresses the poet’s will(诗言志)contained the notion that a poem is a speech,concerning the relation between poetry and everyday speech.While asserting that poetry was related to everyday speech and knew its literary effects,the traditional Chinese literary criticism noticed that the vulgarity of everyday speech had the tendency to differentiate between poetic language and everyday language.How to apply the literary effects of everyday speech and avoid its vulgarity became an important issue in the exploration of the traditional Chinese literary criticism and creation practice.The view that"poem writing is like speaking"proposed in the Modern Vernacular Poetry Movement can be considered as a continuity of the traditional poetical idea and practice.
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