留白意象在纪念性建筑空间中的表达--以柏林犹太人纪念馆为例  

The Expression of the “Leave Blank” Intention in the Space of Monumental Buildings--A Case of Berlin Holocaust Museum

作　　者：陈梦烂 曾晴 白静 邓瑞钧 Chen Menglan;Zeng Qing;Bai Jing;Deng Ruijun(School of Architecture and Civil Engineering,Xiamen University,Xiamen Fujian 361000,China)

机构地区：[1]厦门大学建筑与土木工程学院,福建厦门361000

出　　处：《城市建筑》2021年第5期111-113,共3页Urbanism and Architecture

摘　　要：绘画中的留白手法无形胜有形,传达画作意境之美。本文以绘画作品中二维的留白意象为切入点,引出建筑作品三维性"留白"空间。分析建筑设计中的留白空间,以丹尼尔·里伯斯金的柏林犹太人纪念馆为例,试图阐述留白意向在纪念性建筑空间设计中的应用及对空间精神性的影响,进而探索"留白"在当代纪念性建筑设计中的现实意义。The blank technique in the painting conveys the beauty of the artistic conception of the painting.This Paper takes the twodimensional leave blank intention in the paintings as the breakthrough point and puts forward three-dimensional"leave blank space"of architecture.Taking Berlin Holocaust Museum(Daniel Libeskind)as an example,the article analyzes the space of leaving blank in architecture,trying to explain the application of"leave blank"intention in the space design of monumental buildings and the influence on the spirituality of space so as to further explore the practical significance of"leave blank"in the design of memorial buildings.

关 键 词：留白 纪念性建筑 空间设计 柏林犹太人纪念馆 

分 类 号：TU201[建筑科学—建筑设计及理论]