论克罗齐心灵化的形式观  

Croce's Views of Form of Spiritualization

作　　者：何利娴 HE Lixian(School of Literature,Hunan Normal University,Changsha,Hunan 410081)

机构地区：[1]湖南师范大学文学院,湖南长沙410081

出　　处：《绵阳师范学院学报》2021年第3期49-54,67,共7页Journal of Mianyang Teachers＇ College

摘　　要：克罗齐为我们提供了认识形式新的思维路径。“形式”不再以实然体方式显现自身,而是以一种既具有感觉性又未脱离物质内容的印象化方式,进入心灵层面,为心灵所造作和认识。借此,“形式”获取了非物态化、非目的性和有机性的存在特征,赋予了整个审美活动的自主性和能动性。这些特性使得克罗齐的形式观既区别于浪漫主义美学实践,也超越了康德和黑格尔的观点,真正开拓了具有现代性价值的形式观。然而克罗齐过于强调心灵给予形式的作用,排除了其它因素的可能,使得他的形式观显露出审美泛化的弊端。我们对这些问题的厘清,有利于重新挖掘克罗齐形式观的价值内涵,为当前美学发展提供理论启基。Croce provided us a new meaning about"form"."Form"does not appears itself with substance,but in an impressive way to enter the spiritual level,which is both sensory and not separated from the material content that are created and recognized by the soul.By this way,the"form"acquires these existing features of non-materialization,non-purpose and organic,and endows the aesthetic activity with autonomy and initiative.These characteristics make Croce's views of form not only different form romantic aesthetic practice,but also beyond Kant's and Hegel's views.It really opens up the view of form of modern subjective value.However,Croce overemphasized the impact of soul on form and excluded the possibility of other factors,which lead to the drawbacks of aesthetic generalization in his views of"form".It will help us to rediscover the value of Croce's views of'form'and provide a theoretical enlightenment for the current aesthetic development when we clarify these issues.

关 键 词：克罗齐 心灵 形式观 

分 类 号：I01[文学—文学理论]