论李白山水诗“本真自然”的审美风格  

The Aesthetic Style of"Authenticity and Nature"in Li Bai's Landscape Poetry

作　　者：杨文洪[1] 严雯韬 YANG Wenhong;YAN Wentao(Sichuan Vocational College of Culture and Media,Chengdu,Sichuan 611230)

机构地区：[1]四川文化传媒职业学院,四川成都611230

出　　处：《绵阳师范学院学报》2021年第3期151-155,共5页Journal of Mianyang Teachers＇ College

基　　金：四川省哲学社会科学重点研究基地李白文化研究中心规划项目“李白诗歌之自然本真诗性精神”(LB20-B19)。

摘　　要：李白山水诗审美创作追求“自然本真”,其精神深层次内核为“天然去雕饰”,人与自然一体交融,情景相生,物我一如,相依相存,自我自性,一体呈现于独立不可复制的“真我”中。强调“真我”对李白天然去雕饰审美创作意趣具有倾向性意义,将其山水诗创作定义为突破传统的个体自性的审美化、诗意化呈现。“纯真自然”的审美品格、“天然去雕饰”的审美意趣,生发出李白“清纯”的情感显现。真性真情交织缠绕而生的自然蕴藉和纯然本然的人格情感内涵,为生活的审美化增添亮色。李白山水诗崇尚本色和真情,尊重事物自然本性,“求真色”,这恰好与其山水诗“本真自然”审美品格追求相契合。The aesthetic creation of Li Bai's landscape poems pursues"nature and authenticity",and the deep core of his spirit is"nature and unadorned".The integration of human and nature,feeling and scenery,object and self emphasizes the tendentiousness of"authentic self"to Li Bai's natural aesthetic creation,and defines his landscape poetry creation as the aestheticization and poetic presentation of individual self-nature that breaks through the tradition.The aesthetic character of"authenticity and natural"and the aesthetic interest of"natural and unadorned"give rise to Li Bai's pure emotion.The authentic nature and unadorned personality would color human's life.The plain style of Li Bai's landscape is coincides with his aesthetic pursuit.

关 键 词：李白诗歌 “本真自然”诗学精神 天人合一 诗意栖居 

分 类 号：I206.2[文学—中国文学]