略论《聊斋志异》人物开篇的特点  

On the Characteristics of Opening Characters in Strange Stories from a Chinese Studio

作　　者：杨林夕[1] 黄吉群 YANG Linxi;HUANG Jiqun(School of Literature and Media,Huizhou College,Huizhou,Guangdong 516007,China)

机构地区：[1]惠州学院文传学院,广东惠州516007

出　　处：《岭南师范学院学报》2021年第1期37-42,共6页Journal of Lingnan Normal University

基　　金：广东省教育厅特色创新项目(2018WTSCX148);中央高校基本科研业务费专项基金资助项目(19JNYH04)。

摘　　要：《聊斋志异》有介绍人物、叙述故事、描写景物、发表议论等四种开篇方式,这四种开篇方式在文言小说中很有代表性,而《聊斋志异》的开篇又有其独特性,即其开篇以介绍人物为主,聊斋的人物开篇有如下特点:开篇以介绍男性为主;开篇人物往往多为配角或功能性人物;这些开篇介绍的人物个性、外貌、言行甚至籍贯等特征在后文都有照应,开篇人物的名姓决定命运、暗示情节发展和人物个性。《聊斋志异》的开篇特点的形成离不开传统艺术的影响。There are four kinds of opening ways in Strange Stories from a Chinese Studio,such as introducing characters,narrating stories,describing scenery and expressing opinions,which are very representative in classical Chinese novels.However,the openings in Strange Stories from a Chinese Studio are unique in that they mainly introduce characters,which have the following characteristics:Stories open mainly with the introduction of men.The opening characters are mostly supporting or functional characters.Their characteristics such as personality,appearance,behavior and even place of origin,are taken care of later.Their names decide destiny,implying the development of plot and their personality.The formation of the opening features of Strange Stories from a Chinese Studio is inseparable from the influence of traditional art.

关 键 词：《聊斋志异》 人物开篇 功能性人物 人物特性 人名叙事 

分 类 号：I242.1[文学—中国文学]