舞蹈学方法论再思考  

Rethinking Choreographic Methodology

作　　者：吕艺生[1] LYU Yisheng(Beijing Dance Academy,Beijing 100081)

机构地区：[1]北京舞蹈学院,北京100081

出　　处：《文化艺术研究》2021年第1期46-54,113,共10页Studies in Culture and Art

摘　　要：方法论,是学科研究不可或缺的组成部分。任何一种艺术理论,或观念,或观点,都需要方法论的支撑,它们互为一体,互相作用,是一个整体的两面。作为一种艺术哲学,如同马克思主义既是世界观也是方法论一样,它既是艺术观也是方法论。每种理论或一部论著通常会使用一种主要方法论作为支撑,偶尔也有用两种甚至几种方法论的,但它们不会是相悖的方法论。文中所列举的实例如本体论方法、舞蹈人类学方法、思维学方法、古典美学方法、大舞蹈观方法等,它们只在说明某一种理论或对舞蹈艺术的某种认识。方法论运用得好不好,标志着一门学科或一种理论的成熟度,也是判断舞蹈学研究或文章论点能否成立和是否具有说服力的重要标志。Methodology is an indispensable part of disciplinary research.All sorts of art theories,concepts,and viewpoints need the support of methodology;they are interconnected and interact with each other like the two sides of a coin.A philosophy of art,just as Marxism,is both a view and a methodology.A theory or treatise adopts one methodology,or two or more supportive methodologies,to back up its purpose.Taking ontological methodology,dance anthropological methodology,noetical methodology,classical aesthetics methodology,and"big dance"methodology as examples:they demonstrate a theory or a view on dance.The maturity of a discipline or theory is marked by how well its methodology is applied and how convincing a choreographic study or paper is.

关 键 词：方法论 思维学方法 大舞蹈观方法 古典美学方法 

分 类 号：J70-05[艺术—舞蹈]