公共艺术观念的过往和现今  

The Past and Present of Concepts of Public Art

作　　者：余玥[1] Yu Yue

机构地区：[1]四川大学哲学系

出　　处：《公共艺术》2021年第1期45-47,共3页Public Art

摘　　要：公共艺术是与市民社会一起生长起来的。它的雏形早在近代早期就通过艺术与大众政治的联姻有所体现,而在郎西埃的分析中,这一点在当代也具有重要意义。以法国大革命为界,分别产生了赫尔德式的革命型人民艺术、康德式的改良型公共艺术和席勒式的平衡型公共艺术,它们均对后世产生了深远的影响。时到如今,后两者仍是新型左翼公共艺术的重要思想资源。The public art grows with the civil society.It could be retrospected back to as early as the early modern times in the marriage between art and popular politics.According to Jacques Rancière,this is also of great significance in contemporary times.Taking the French Revolution as the boundary,there were Herder’s revolutionary people’s art,Kants reformist public art,and Schiller’s balanced public art respectively,which had a profound impact on later generations.Until now,the latter two are still the important ideological resources for the new type left-wing public art.

关 键 词：艺术 革命 改良 平衡 公共性 

分 类 号：J0[艺术—艺术理论]