形体戏剧的幻象身体构建--雅克·勒考克的“中性面具”训练模式述评  

The Illusion Body Construction in Body Drama--A Review of Jacques Lecoq’s Training Mode of the“Neutral Mask”

作　　者：朱祥虎 ZHU Xiang-hu(College of Chinese Language and Literature,Fujian Normal University,Fuzhou 350007,China)

机构地区：[1]福建师范大学文学院,福建福州350007

出　　处：《海南师范大学学报（社会科学版）》2021年第2期119-125,共7页Journal of Hainan Normal University(Social Sciences)

摘　　要：形体戏剧重要奠基人雅克·勒考克的形体训练,为演员们打开了一条拥有无限潜质和真实表现的心理通道,并在创造性和模拟性的情境重构之中,找到了一条随时可以上演的具有幻象意义的肢体回路。演员在经过“中性面具”“表情面具”“角色扮演”的即兴参与之后,身体的各个部位重新回到了一种素材的位置,使身体能够穿透和吸纳所有的存在对象,同时赋予其时刻变化的真实幻象。身体的表达也存在着实际的、模拟的和规范的运动构造,从肢体的准备,到人体“波动”与“姿态”动作、推或拉手势类动作与足部固定点的技术应用,演员的每一个表情、每一个动作,都可以从这些运动规则中诞生,而每一次行动都能产生与之相应的反应,或事件、或幻觉,重要的是引发了现象之外鲜活生动的生命共鸣。The physical training of Jacques Lecoq,the important founder of body drama,has opened a psychological channel with infinite potential and real performance for actors,and has found a phantom body circuit that can be performed at any time in the creative and simulated situation reconstruction.After his/her impromptu participation in the“neutral mask”,the“expression mask”and the“role play”,the actor or actress can,with various parts of his/her body,return to the position of a source material,thus penetrating and absorbing all the objects of existence as well as having the illusion of real change at any time.There are also virtual,simulated and normative movement structures in body expression,ranging from the preparation of the limbs,to the technical application of the“wave-like”and“posture”movements of the human body,push or pull gestures,and foot fixation points,so every expression and every movement of an actor/actress can be born out of these rules of motion,and every movement can produce a corresponding reaction,or event,or illusion.What matters is that it evokes a vivid resonance of life beyond the phenomenon.

关 键 词：雅克·勒考克 形体戏剧 即兴表演 面具 身体 

分 类 号：J806[艺术—戏剧戏曲]