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作 者:吴雨辰 朱惠国[1] WU Yu-chen;ZHU Hui-guo(Department of Chinese Language&Literature,East China Normal University,Shanghai 200241,China)
出 处:《苏州大学学报(哲学社会科学版)》2021年第2期148-156,共9页Journal of Soochow University(Philosophy & Social Science Edition)
基 金:国家社会科学基金重大项目“明清词谱研究与《词律》《钦定词谱》修订”(项目编号:18ZDA253)的阶段性成果。
摘 要:明代周瑛《词学筌蹄》是目前所知最早的具备词谱雏形的著作,此书虽体制简略,但与前代思想、学术密切关联,可从深层揭示词谱起源的社会原因。其文献主要源自洪武本《草堂诗余》,又有独特的版本特征,为明中叶《草堂诗余》改编序列中承前启后的一环。其符号借鉴自北宋邵雍《声音唱和图》,周瑛由此制谱,可视作明中叶等韵、律吕等“声音之学”由冷趋热的缩影。周瑛的格律思想,主要受朱熹逐字仿其平仄的诗法影响,且局限于“词出于古乐府”的文体认识,与后世校勘定律有别。总之,词谱发端的绍继、借鉴、局限诸因素,皆统摄于明中前期理学思想下,而印合于周瑛的地域、学术与填词实践。Zhou Ying’s Ci Xue Quan Ti is the earliest known work with the prototype of Ci Pu.Although the system of this book is simple,it is closely related to the thought and academic of the previous generation,which can indicate the origin of Ci Pu.Its literature is mainly derived from Hongwu’s Cao Tang Shi Yu,and has unique version characteristics.It is a part of the adaptation process of Cao Tang Shi Yu in the mid-Ming Dynasty.Its symbols imitate Shao Yong’s Sheng Yin Chang He Tu in the Northern Song Dynasty,which is a special study of the classics of Neo Confucianism in the Ming Dynasty.The inspiration of Zhou Ying’s cartography rooted here can be seen as the epitome of“the study of phonology”in the middle of Ming Dynasty.Zhou Ying’s academic thought is mainly influenced by Zhu Xi and is limited to his stylistic understanding that“Ci is developed out of Gu Yue Fu”,which is different from later scholars.In a word,all the above factors are dominated by Neo Confucianism in the middle and early Ming Dynasty,and related to Zhou Ying’s native place,academic and creative practice.
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