新世纪文艺社会学的回归与重建  

The Return and Reconstruction of Literary Sociology in the New Century

作　　者：刘小新[1] LIU Xiao-xin(Fujian Academy of Social Sciences,Fuzhou 350025,China)

机构地区：[1]福建社会科学院,福建福州350025

出　　处：《南通大学学报（社会科学版）》2021年第2期54-61,共8页Journal of Nantong University:Social Sciences Edition

摘　　要：新世纪以来,文艺政策、文艺制度、文艺生产、文艺接受、文艺传播以及文学史的社会学研究等日益受到重视,成为学界研究的热点,文艺社会学正走在复兴的路上。在新的历史语境下,重构文艺社会学要建立“方法论的关系主义”,处理好内容与形式的关系,高度重视当代社会学的场域理论,借助数字技术和数字人文学的研究方法;同时要重新思考文学与社会学的关系,坚持以马克思主义理论为指导推动文艺社会学学科建设,立足于中国当代现实,植根于中国大地,构建中国特色的文艺社会学的学科体系、学术体系、话语体系。Since the advent of the new century,the sociological studies on literary policies,systems,production,reception,distribution and literary history,etc.,have gradually received greater attention and become hot topics of the scholarship.Literary sociology is rejuvenating.Under the new historical context,reconstructing literary sociology requires constructing“relationalism of methodology”,dealing with the relationship between content and form,attaching great importance to the field theory of modern sociology,employing digital technology and digital humanist research methods,while reconsidering the relationship between literature and sociology.We should promote the disciplinary construction of literary sociology under the guidance of Marxist theory,based upon China’s modern reality and rooted in China’s land,to construct the disciplinary system,academic system and discourse system of China-characteristic literary sociology.

关 键 词：文学社会学 历史语境 学科建设 

分 类 号：I206.7[文学—中国文学]