从坚守传统到兼收并蓄:战后英国现实主义文学  

From Tradition to Incorporation:Realism in Post-WWⅡ British Literature

作　　者：姚成贺[1] Yao Chenghe

机构地区：[1]首都经济贸易大学

出　　处：《外国语文研究（辑刊）》2017年第1期8-17,共10页

摘　　要：第二次世界大战结束之后,英国现实主义文学在延续传统的写作手法和描绘社会生活场景的同时,日益显现出作品本身的自我意识与建构意识,将现实与虚构之间的悖论转化为发展的动力。此时的现实主义并非简单地反对美学实验,也非修正、延续19世纪以来的现实主义方法,而是一种崭新的现实主义形式。实际上,现实性与实验性从未完全孤立地单独现身英国文坛,二者更多地以亦此亦彼的关系并存。在二者的此起彼伏、交错重叠中,战后英国现实主义文学从坚守现实主义传统,到逐渐接纳现代主义、后现代主义实验方法,直至具有强烈自我意识的道德现实主义与自觉现实主义,呈现出一幅错综复杂的图景。While continuing depicting social scenario in a traditional way,realism in British literature after WWⅡ gradually presents its self-consciousness and constructive-consciousness,turning the dilemma between reality and fiction into an inner drive.Such a new form of realism is neither superficially opposed to aesthetic experimentation,nor on the route of the 19th century realism.Actually,instead of on stage one after another,realism and experimentation always coexist and corporate with each other.Therefore,realism in post-war British literature presents a complex map from the adherence to the tradition of realism,to an attempt to incorporate modernist and post-modernist experimentalism,until a shift to moral realism and self-conscious realism with a strong sense of self-consciousness.

关 键 词：现实主义 实验方法 语言意识 自觉现实主义 

分 类 号：I561.06[文学—其他各国文学]