略论李锐《无风之树》的复调叙事艺术  

Polyphonic Interpretation in Li Rui's Trees Without Wind

作　　者：邓春霞 DENG Chunxia(School of Liberal Arts,Hunan Normal University,Changsha,Hunan 410006)

机构地区：[1]湖南师范大学文学院,湖南长沙410006

出　　处：《武夷学院学报》2021年第1期97-100,共4页Journal of Wuyi University

摘　　要：复调小说是前苏联学者M·巴赫金为概括陀思妥耶夫斯基小说的诗学特征而创设的概念。19世纪50年代中期至70年代末,巴赫金的复调小说理论在苏联多次再版,随后的二十世纪八九十年代,我国学界同样也掀起了复调小说热。创作于1994年的《无风之树》正是从叙事视角、结构布局以及叙述语言等多个方面建构了一个复调的多声部性的世界。Polyphonic novel is a concept created by the former Soviet scholar M.Bakhtin to summarize the poetic characteristics of Dostoevsky's novels.From the mid-1850s to the end of the 1870s,Bakhtin's polyphonic novel theory was repeatedly republished in the Soviet Union.This resulted in a fever of polyphonic novels in Chinese academia during the period from 1980s to 1990s.The windless tree,created in 1994,constructs a polyphonic,multi-vocal world from the perspectives of narrative,structure and narrative language.

关 键 词：无风之树 李锐 复调艺术 巴赫金 

分 类 号：B244.7[哲学宗教—中国哲学]